1.0qabalumhttps://qabalum.com/en/desonhoshttps://qabalum.com/en/author/desonhos/rich600338<blockquote class="wp-embedded-content" data-secret="NLSMvtTfc8"><a href="https://qabalum.com/en/todo-este-ruido/">Todo este ruido</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://qabalum.com/en/todo-este-ruido/embed/#?secret=NLSMvtTfc8" width="600" height="338" title="“Todo este ruido” — qabalum" data-secret="NLSMvtTfc8" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://qabalum.com/wp-includes/js/wp-embed.min.js </script> https://qabalum.com/wp-content/uploads/2026/03/seccion-TER-–-Fernando-Marcos-–-@pixeldeplata24-scaled.jpg25601885In this work, two bodies jump from image to image as in a succession of frames. They intertwine, overlap, and orbit, creating images of great poetic power, moving between shadow and light, between physical space and the images on the screen, accompanied by a drone, a virtual being that is sometimes a pet and other an inert satellite or the personification of the eternal life that technology promises us. In an empty space, a tabula rasa where anything can happen, the movement of bodies –as in the celestial vault– traces the history of time. TODO ESTE RUIDO is a hymn to the light that crosses the cosmos to give us form.